Flemish painter (b. 1540, Mechelen, d. 1616, Brussels).   Related Paintings of COXCIE, Raphael :. | Classical hunting fox, Equestrian and Beautiful Horses, 218 | Resting beneath the trees,Pontoise | Jonas Story Chapter | Saint Benedict | Landscape |
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Rafal Hadziewicz
(13 October 1803 - 7 September 1883) was a Polish historical painter. Born in Zamch, Hadziewicz attended art school from 1816 to 1822. In 1822 he studied at Warsaw University under Antoni Brodowski. After getting a scholarship he traveled to Dresden in 1829 and later to Paris, where he studied at a prominent French School of Painting. In 1831 he continued his studies in Rome. He stayed in Rome in 1833 for self-study of the masters. At this time he created many well-received sketches. In 1834 he went to Krakew and painted icons for several Orthodox churches there. In 1839 he left for Moscow, where he served in the Department of Fine Art and Mathematics until 1844. In 1844 he moved back to Warsaw, where he served as a professor in the Warsaw School of Art. In 1871, near the end of his life, he was transferred to a university in Kielce, where he died. Hadziewicz painted many religious paintings and portraits but was best known for historic compositions, which were often compared to art of the Italian Renaissance and European Baroque.
Gaspare Diziani
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).
Ambrosius Bosschaert
(Antwerp, January 18, 1573?CThe Hague, 1621) was a still life painter of the Dutch Golden Age.He started his career in Antwerp, but spend most of it in Middelburg (1593?C1613), where he became dean of the painters' guild. He later worked in Amsterdam (1614), Bergen op Zoom (1615?C1616), Utrecht (1616?C1619), and Breda (1619). He specialised in painting still lifes with flowers. In 1587, Ambrosius Bosschaert moved from Antwerp to Middelburg with his family because of the threat of religious persecution. At the age of twenty-one, he joined the cityes Guild of Saint Luke. Not long after, Bosschaert had established himself as a leading figure in the fashionable floral painting genre.